The work of Grandma Moses, Anna Mary Robertson Moses (September 7, 1860 – December 13, 1961), is beautifully presented in the coffee table book, Grandma Moses (Otto Kallir, Harry N. Abrams, Inc. Publishers, New York, 1973).
Her fall and winter scenes are among my favorites–probably because I can enjoy the aesthetic wonder of cold weather life from a reasonable distance!
From the Article at WikiArt:
“Sugaring Off” was one of Grandma Moses’ most popular themes. Like many of her earliest subjects, it derived from popular illustration—in this case, a well-known Currier & Ives lithograph. Although Moses did at the very start of her career sometimes copy compositions verbatim, she never tried to duplicate this Currier & Ives print. Rather, from the start she freely combined elements from her primary source with vignettes from other sources and from her own imagination. Certain stock images do tend to recur in the “Sugaring Off” paintings, however, among them the burning cauldron, the mother pouring maple sugar on the snow (where it would harden into instant candy), the men with buckets, and the little “sugar house.”
Sugaring Off dates from 1943, at the height of Grandma Moses’ first truly mature style. She had by this point in her career gained formidable mastery of her medium. She was capable of rendering details with pristine clarity and of handling extremely complex compositions. Sugaring Off is notable for its vast assortment of disparate activities, arrayed in a preternaturally broad landscape. This opening up of the landscape into an almost square, quiltlike panoply of detail is one of the hallmarks of the “Grandma Moses style.” As she matured further, however, Moses would revert to narrower horizontals, which required greater compression of detail.
Originally published at bigfoodetc.com on November 18, 2020. Minor edits here.